World War II

During World War II Beaton became a war photographer. This was a completely new territory for Beaton but he succeeded. He did such a great job capturing the war that the Ministry of Information hired him to capture different aspects of the war effort in Britain, the Middle East, and the Far East. (Six books were made out of these photographs). 

Arguably his best and well known photograph from the war was taken over a year before the U.S. entered the war. The picture was of a 3 year old girl Eileen Dunne. Eileen was in the hospital because a German bomber's crew dropped a bomb on her North England Village. A splinter from it hit Eileen. Beaton's photo of her was powerful and used as propaganda to grab the attention of Americans who felt the war was far away. 

Life Magazine, September 23, 1940

Beaton took many other moving pictures from the war (which I will post below). These pictures show  a different, refreshing side of Beaton.

A man and his daughter pass posters in Cairo, Egypt, 1942
Cecil Beaton/Imperial War Museum 

A sailor on board HMS Alcantara uses a portable sewing machine
to repair a signal flag during a voyage to Sierra Leone
Cecil Beaton/Imperial War Museum 

Men of the Long Range Desert Group after returning to
headquarters at the end of a desert patrol, Siwa, Libya, 1942
Ccecil Beaton/Imperial War Museum 

Bomb damage to the church of St Lawrence Jewry, Guidhall,
London, 1940
Cecil Beaton/ Imperial War Museum 

Bomb damage to a fire station, Tobruk, Libya, 1942
Cecil Beaton/ Imperial War Museum 

The Blitz, London, 1942. A workman with a wheelbarrow clears
up fallen debris from the roof of St Mary-le-Bow after its
first bombing.
Cecil Beaton/Imperial War Museum 

A British Sailor on shore leave, Harrogate, 1941
Cecil Beaton/Imperial War Museum 

A wren serving with the crew of a harbor launch in Portsmouth,
1941
Cecil Beaton/Imperial War Museum 

Flying Officer Neville Duke of NO 93 (East India) Squadorn.
Duke was a battle of Britain and is pictured here with his Spitfire at RAF
Biggin Hill in 1941.
Cecil Beaton/Imperial War Museum 

A welder works on the deck of a new ship, Tyneside, 1943
Cecil Beaton/ Imperial War Museum 

Villagers cross duckboards over floating bamboo poles, Guangxi,
China 1944. The poles are being soaked in fresh water to prepare
for construction use.
Cecil Beaton/Imperial War Museum 

China, 1944: the Chinese assistant chief of police and his staff grouped
in a circular doorway at headquarters in Chengdu
Cecil Beaton/Imperial War Museum 

Bomb damage to HMV gramophone shop, Oxford Street, London
1940.
Cecil Beaton/ Imperial War Museum 

Beaton, C., & Vickers, H.  (2003). The unexpurgated Beaton: the Cecile Beaton diaries as  he wrote them, 1970-1980. New York, NY: Alfred A. Knopf.

Ronk, L.(2015). Cecil Beaton’s war child: portrait of victim of the blitz. USA Today.  Retrieved from: http://life.time.com/history/cecil-beaton-portrait-of-eileen   dunne  1940-london-blitz/#1

The Guardian. (2012) "Cecil Beaton's rare war photography- in pictures. Retrieved from http://www.theguardian.com/artanddesign/gallery/2012/aug/31/cecil-beaton-war-photography-pictures

Vickers, H. (1985). Cecil Beaton: A biography. Boston, MA: Little Brown.

Queen Elizabeth Saves Beaton

After the incident with Vogue, Beaton's career wasn't doing too well. Then Queen Elizabeth invited him to photograph her at the Buckingham Palace in 1939. The Queen saved his career.

When Beaton was first asked to take pictures of the Queen he thought it was a joke. Eventually he realized it was real and the next day he wen to the place at ten o'clock to decide what rooms to photograph the Queen in and what dresses she should wear.

Beaton was beyond excited to photograph the Queen. He held a high opinion of her.
"I was full of trepidation to know what would happen when the Queen was ready to see me. I, have, by now, such a profound admiration and love for her, that is is inexplicable that before I could have felt it was dreary and dowdy to have the Yorks on the throne... No one could have done the job as well as she and one knows that there is nothing she could not succeed at if sent out for her country. She might even win Hitler to peace!" (Victor, 226)

The entire session was only suppose to last around 20 minutes, but ended up lasting the whole day. Beaton and the Queen hit it off. They hit off so well that Beaton ended up being the royal photographer for the next 40 years.

Queen Elizabeth, Buckingham Palace Garden

Cecil Beaton 1939

Museum no. E.1374-2010

© Victoria and Albert Museum, London

Susanna Brown, who is the curator of photographs at the Victoria and Albert Museum in London explains the significance of the shoot and how Beaton wasn't the only one being helped by it. "After the huge crisis of the abdication, this was bout reaffirming the position and continuity of the monarchy. He presents the Queen as an exquisite fairy-tale figure. " (Nikkah)

Other photographers presented the Queen as demure and aloof but Beaton (who adored her) wanted to present a different type of Queen, the Queen he saw.
Beaton revealed in his diary "When I entered the gates of Buckingham Palace for the first time... I was determined that my photographs should give some hint of the incandescent complexion, the brilliant thrush-like eyes and radiant smile, which are such important contributions to the dazzling effect she creates in life. I wanted so much that these should be different from the formal, somewhat anonymous-looking photographs... that had until then been taken of the Royal Family." (Nikkah)

Beaton, C. (1939) Queen Elizabeth, Buckingham Palace Garden. Victoria and Albert Museum,  London. Retrieved from http://www.vam.ac.uk/users/album/16694

Beaton, C., & Vickers, H.  (2003). The unexpurgated Beaton: the Cecile Beaton diaries as he wrote them, 1970-1980. New York, NY: Alfred A. Knopf.

Nikkah, R. (7 January 2012). How Cecil Beaton save the Queen. The Telegraph. Retrieved from http://www.telegraph.co.uk/news/uknews/queen-elizabeth-II/8994528/How-Cecil-Beaton-helped-save-the-Queen.html

Beaton & Vogue

Finally Beaton's hard work is paid off. In the 1930's Cecil photographed the Duke and Duchess of Kent and then in 1937 Wallis Simpson asked him to take the formal wedding photographs on the day before she married the Duke of Windsor. 

Cecil went to work for American Vogue in 1934. 

Cecil Beaton, Vogue 1936

As time went on he felt that Vogue was restricting his creativity. For example, Vogue told Beaton that he was posing models in an un-lady like fashion by taking pictures of models with their feet planted far apart. 

 Then in 1938 Beaton's career took a turn for the worst. In the 1938 issue of Vogue Beaton wrote Anti Semitic words into the border of a pen and ink sketch. The words he wrote were...

"Mr. Andrew's ball at the El Morocco brought out all the dirty kikes in town."

There were 150,00 copies of that issue of Vogue on newsstands and 130,000 copies were reprinted. After that Beaton resigned and didn't work in the United States for a year and a half. 

Beaton, C., & Vickers, H.  (2003). The unexpurgated Beaton: the Cecile Beaton diaries as he wrote them, 1970-1980. New York, NY: Alfred A. Knopf.

Beaton, C. (1936). Retrieved from http://www.vogue.co.uk/person/cecil-beaton

Hall-Duncan, N. (2014). Cecil Beaton. Retrieved from http://fashion-history.lovetoknow.com/fashion-clothing-industry/fashion-designers/cecil-beaton

Week 10

This week I finally went shopping! I just got off work at Old Navy and saw Express was having a sale. I decided I would just go in and look. Of course I found something I wanted. 

I fell in love with these flared jeans. I couldn't decide if I wanted them or not but it was the last day of the sale and they were 40% off so I bought them. I have no regrets. 

Clue

Here's another awesome display located in Turner Hall at Illinois State University. 

The theme of the window is Clue. I love the theme, I think it's so creative.  The emphasis of the display is the red dress, the bright color grabs my attention. The window is very detailed and everything goes along with the theme.  The props also create rhythm, making it easy for the viewer's eyes to travel throughout the window. 

I liked the idea of the sign but for viewers quickly walking by, it's hard to read. 

My favorite detail of the window is the hand at the bottom. It makes the window feel less like a window and more like a real life scene. 

Overall this window is very creative and eye catching! 

Cecil Beaton | The Early Years

Cecil Beaton was born January 14th 1904 in Hampstead. He was one of four siblings. It's said that being born in the Edwardian Era greatly influenced his personality.  Beaton was quite fond of his mother and aunt Jessie (Aunt Jessie was elaborate and loud, and later served as inspiration for My Fair Lady.) Being so fond of them, he often chose to hang out with them rather than do other "boyish" things. Being around them so often they observed that he "always sought out the detail rather than the conception as a whole" (Beaton, & Vickers, 2003, p.8).

Another source of inspiration was a postcard of Lily Elsie he found when he was young. Her hair was pilled on top of her head. 

(The unexpurgated Beaton: the Cecile Beaton diaries as he wrote them, p. 99)

Cecil said "The beauty of it caused my heart to leap." Then began his interest in photography. 

Whenever Cecil went for walk he would stop at local stationers just to look at the postcards that were displayed. He would also look at magazines and cut out pictures of Gertie Millar, Florence Smithson, and Gaby Deslys. He would also intently study photographs of stage sets and designs through a magnifying glass. 

When it was time for Beaton to go to school he was enrolled at Heath Mount Preparatory school. During his time there he was often bullied by the kids. He wasn't like the other boys at school. He subscribed to the 'Captain' a schoolboy's weekly and would spend his time cutting out portraits of the actresses and paste them into a scrapbook. 

After three years at Heath Mount, his parents then sent him to Harrow boarding school. Beaton wasn't good at school and hated sports. He loved art though and would take part in school plays by dressing up and creating backdrops. 

During his days at Harrow he became an amateur photographer. He knew what he wanted to create but wasn't very skilled on the technical side of photography. Luckily, his family nanny (Alice Louise Collard) fondly known as "Ninnie" was a keen photographer. She was able to take great photos and print her own films. She showed Beaton how to take pictures and taught him the technical photography skills he needed. They had an interesting relationship, she didn't quite understand his eye and he often grew quite jealous of her ability to take great pictures. 

After Harrow, Beaton (through persuading from others) decided to go to Cambridge. Just like when he was enrolled at Harrow, he didn't really care for school and was more interested in the arts. He would have his friends take pictures of him to send into the newspaper. The newspaper would often publish the pictures along with a little blurb about a play he was in or designing for. 

Throughout his school years and even after, Beaton struggled with accepting his homosexuality. 

"I'm really a terrible, terrible homosexualist and try so hard not to be. I try so terribly hard to be good and not cheap and horrid..." (Beaton & Vickers, 2003, p. 40).

Beaton graduated Cambridge and wasn't quite sure what to do with himself. He knew one thing for sure, he didn't want to work for his dad in the family business. While he was "searching" for a job he often would take pictures of his sister and mother and send them into different publications. 

Beaton's sisters Nancy and Baba
(The unexpurgated Beaton: the Cecile Beaton diaries as he wrote them, p. 99)

One time at a social event Beaton ran into the editor of Vogue, Dorothy Todd and she told him that he sends in good photographs but sends them in much too late and to try sending them ten days before print. 

Cecil couldn't find a job so eventually he ended up working for his dad as a clerk. After eight days he quit. Beaton tried to find work on his own but couldn't. His dad set him up with a business man Schmeigelow. His dad wanted him to start out at the bottom and work his way. Beaton enjoyed Schmeigelow but after awhile couldn't handle the business environment anymore and quit. 

Eventually Beaton got his first "break." He was went to a tea party at Allanhan's. He had taken pictures of her before and had them with him. The pictures were discovered and the women at the party went crazy for them. Beaton then began taking pictures of "bright young things" in society, launching his career. 

Resources

Beaton, C., & Vickers, H.  (2003). The unexpurgated Beaton: the Cecile Beaton diaries as he wrote them, 1970-1980. New York, NY: Alfred A. Knopf.

Vickers, H. (1985). Cecil Beaton: A biography. Boston, MA: Little Brown.